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His first proper LP, Static Hymn for a Leaking Vessel (2018), was a shock. Gone were the pristine beats. In their place: field recordings of dripping faucets, the hum of a refrigerator, the sound of a tape reel unraveling. It was an album about decay, and it was a masterpiece. The single, "Let the Water In," was just three minutes of a piano chord decaying into a resonant metallic echo.
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