The compilation was formally published in 2023 by the art and photography press Kingpouge . Visual Structure and Artistic Composition
The photography of Hiromi Saimon Kingpouge Laika 12 78 project captures a hauntingly beautiful intersection between reality and fiction. Often associated with the experimental storytelling of Daiyonkyokai
Technology and Dispossession: Machines — vehicles, monitors, discarded electronics — appear as both tools and monuments to obsolescence. Saimon photographs the afterlife of technology: teardown shops, scrapyards, and storefronts where devices await their fate. The series suggests how progress produces detritus and how objects outlive the intentions that created them.
Assuming a small-run zine format (typical for such avant-garde work), Kingpouge Laika 12 78 Photos would likely feature:
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