Consider The Last Dance (2020). While ostensibly about basketball, it is actually a masterclass in entertainment production—showing how Michael Jordan’s team was packaged, sold, and marketed to become a global brand.
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There is a fine line between exposing abuse and re-traumatizing subjects for profit. The entertainment industry documentary faces a unique crisis because the subjects are often trained performers. When a disgraced producer or a troubled star agrees to a documentary, are they seeking redemption or just another booking? Consider The Last Dance (2020)