For the passionate fan and the critical listener, "The Black Album" is not merely a piece of music history; it is a reference-quality recording. The album’s sonic signature—the thundering kick drum, the razor-sharp guitar attack, Hetfield’s layered vocals, and the deep, present bass for the first time in the band’s history—is a marvel of audio engineering. Lars's drums have an immensely satisfying "crash" feel that make the album perfect for air-drumming, while the guitars are cleaned up but still sound consistently good, never straying too dramatically from the metal tones of previous classics.
: Jason Newsted’s bass guitar finally gets the justice it deserves. In tracks like Sad But True , the FLAC format preserves the deep, rumbling frequencies without distorting or muddying the mix.
Some argue that heavy metal, with its distorted chaos, doesn't benefit from lossless audio. They are wrong.
The subsonic drop-tune groove. In lossless, you feel the string tension. The panning of the rhythm guitars (hard left and right) is flawless.
Ïåðåäíèé - 92 x 39 x 35 ìì / Çàäíèé - 26 x 44 x 24 ìì
Êðåïëåíèå:
Íà ðóëü / Íà ïîäñåäåëüíûé øòûðü
Âåñ:
117 ã
Äîáàâèòü îòçûâ:
Ðåêîìåíäóåìûå òîâàðû:
For the passionate fan and the critical listener, "The Black Album" is not merely a piece of music history; it is a reference-quality recording. The album’s sonic signature—the thundering kick drum, the razor-sharp guitar attack, Hetfield’s layered vocals, and the deep, present bass for the first time in the band’s history—is a marvel of audio engineering. Lars's drums have an immensely satisfying "crash" feel that make the album perfect for air-drumming, while the guitars are cleaned up but still sound consistently good, never straying too dramatically from the metal tones of previous classics.
: Jason Newsted’s bass guitar finally gets the justice it deserves. In tracks like Sad But True , the FLAC format preserves the deep, rumbling frequencies without distorting or muddying the mix.
Some argue that heavy metal, with its distorted chaos, doesn't benefit from lossless audio. They are wrong.
The subsonic drop-tune groove. In lossless, you feel the string tension. The panning of the rhythm guitars (hard left and right) is flawless.
