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The shift is also economic. Streaming services have realized that the demographic with disposable income—women over forty—wants to see themselves. They don’t want fairy tales. They want negotiation, survival, and the quiet rage of being overlooked. They want what Cate Blanchett delivered in Tár : a portrait of a woman at the absolute peak of her power, monstrous and magnificent, whose age is not a flaw but the source of her authority. But this isn't just about body parts